Sunday, 18 September 2016

Kharavela and his Inscriptions

Khavrela and his HathiGumpha inscriptions: 
The source of this post is en.wikipedia.org/wiki/Hathigumpha_inscription and en.wikipedia.org/wiki/Kharavela#Reign. Its just a compilation not the original one.

Kharavela was crowned as the king of Kalinga at the age of 24. The Hathigumpha inscription describes the first 13 years of his reign as follows:
Year 1
Kharavela repaired the gates and the buildings that had been damaged by storms, built reservoirs and tanks, and restored the gardens. The inscription mentions a number, which is variously interpreted. According to Bhagwan Lal Indraji, it states that the king had 350,000 people in his city. According to K.P. Jayaswal and R. D. Banerji, Kharavela spent 3,500,000 rupees on the repair works.
Year 2
The inscription mentions a king named "Satakani" or "Satakamini" (identified with Satakarni) and dispatching of an army comprising cavalry, elephants, chariots and men. It also mentions Kharavela's threat to a city variously interpreted as "Masika" (Masikanagara), "Musika" (Musikanagara) or "Asika" (Asikanagara). NK Sahu identifies Asika as the capital ofAssaka. According to Ajay Mitra Shastri, Asika-nagara was located in the present-day Adam village in the Nagpur district, which is located on the bank of river Wainganga. A terracotta seal excavated in the village mentions the Assakajanapada.
The inscription also mentions a word read as Kanha-bemna or Kanhavemṇā. According to most scholars, this was the name of a river; Kharavela's army advanced up to this river. One theory equates it with the Krishna River flowing in coastal Andhra Pradesh. However, the epigraph indicates the river was located to the west of Kharavela's kingdom, while Krishna lies to the south of Kalinga. Therefore, Vasudev Vishnu Mirashi identifies Kanha-bemna with the combined flow of Kanhan River(Kanha) and Wainganga River (Bemna or Vemṇā), which flows to the west of Kalinga.
Different scholars interpret the events described in the inscription differently:
  • According to K.P. Jayaswal and R. D. Banerji, Kharavela sent an army against Satakarani. Sailendra Nath Sen also states that Kharavela sent out an army that advanced up to river Krishna, and threatened the Musika city (Musikanagara) located near the junction of Krishna and Musi rivers (near present-day Nalgonda).
  • According to Bhagwal Lal, the king Satakarni of the western region wanted to avoid an invasion of his kingdom by Kharavela. So, he sent horses, elephants, chariots and men to Kharavela as a tribute. In the same year, Kharavela captured the city of Masika with assistance of Kusumba Kshatriyas.
  • According to Alain Daniélou, Kharavela was friendly with Satakarni, and only crossed his kingdom without any clashes.
  • According to Sudhakar Chattopadhyaya, Kharavela's army failed to advanced against Satakarni, and then diverted its course to threaten the city of Asika (Asikanagara).
Year 3
Well-versed in the science of the Gandharvas (i.e. music), Kharavela entertained the city with shows of singing, dancing and instrumental music. He held festive gatherings.
Year 4
This line is broken, and is difficult to interpret.
  • According to K.P. Jayaswal and R. D. Banerji, Kharavela attacked and subdued the Rathika (Rashtrika) and the Bhojaka kings.
  • According to Alain Daniélou, the Rathikas and Bhojakas were vassals of Satvahanas. Kharavela subdued them in "a kind of tournament", which did not lead to annexations.
  • According to Bhagwan Lal, Kharavela repaired an old temple (chaitya) on the Dharmakuta hill, and worshipped it after furnishing it with umbrellas and kalasha. This was done to inspire faith in the triratna among his tributary kings, Rashtrika and Bhoja.
Year 5
This part is broken as well. It appears that Kharavela commissioned a water work, involving a canal originally built by the Nandaraja. Rama Shankar Tripathi and others mention that Kharavela extended a canal that had not been used for ti-vasa-sata, since Nanadaraja had brought it into the capital. The expression ti-vasa-sata can mean either 103 or 300 years. Some scholars such as K.P. Jayaswal also interpret the inscription as stating that this canal originated at Tanasuli, which they identify with Tosali.
Bhagawan Lal interprets the record differently, and concludes that Kharavela renewed the 3-year sattra (meaning not known) of the Nandaraja. He adds that due to the damaged record, the interpretation is doubtful.
Year 6
The record is mostly lost, but Kharavela is probably mentioned as having benefited hundreds of thousands of people through his good work.
According to K.P. Jayaswal and R. D. Banerji, the king also performed the Rajasuya sacrifice and remitted the taxes.
Year 7
According to Bhagwan Lal, the record of the 7th year is entirely lost. However, according to another interpretation of the surviving text, his wife Dhusi (who belonged to the house of Vajira) gave birth to a son.
Year 8
The record is partially broken. According to Bhagwan Lal, Kharavela took on a king, who had killed another king and was harassing the king of Rajagriha. This king fled to Mathura, and Kharavela led an expedition pursuing him, causing great noise in the process. According to Bhagwan Lal, the names of these kings are lost in the broken part.
According to some other scholars, including Alain Daniélou, Kharavela sacked Gorathagiri (near Barabar Hills) with a very large army, and subdued the town of Rajagriha (identified with present-day Rajgir). Ananta Prasad Banerji-Sastri suggests that Kharavela expelled members of the Ajivika sect (a rival of the Jains) from the Barabari caves, and mutilated their inscriptions. 
Kharavela's inscription claims that fearing this act, a Yavana (Greek) king or general retreated to Mathura, escaping with his demoralized army. The name of the Yavana king is not clear, but it contains three letters, and the middle letter can be read as ma or mi. R. D. Banerji and K.P. Jayaswal read the name of the Yavana king as "Dimita", and identify him withDemetrius I of Bactria. However, according to Ramaprasad Chanda, this identification results in "chronological impossibilities". According to Sailendra Nath Sen, the Yavana ruler was certainly not Demerius; he might have been a later Indo-Greek ruler of eastern Punjab. Numismatist P.L. Gupta interprets the name as "Vimaka", and identifies him with Vima Kadphises. Again, there are problems with this interpretation: Vima Kadphises was a Kushana king. It is otherwise unknown for a Kushan emperor to have been referred to as a Yavana, and for Vima Kadphises to be referred to as "Vimaka". Also, there are palaeographic problems with dating the Hathigumpha inscription to Vima Kadphises' period.
Year 9
Much of this is broken and lost. According to it, Kharavela gifted Kalpavriksha, horses, elephants, chariots, houses and other largesses to Brahmins. He also built a palace.
According to Bhagwan Lal, the palace was named Mahavyaya, and was built at a cost of 280,000. Another source interprets the name of the palace as Mahavijaya ("palace of great victory"), and the cost as 3,800,000.
Year 10
Much of the record is lost. The inscription mentions Bharatavarsha (a term now used as a name of India), which, in this context refers only to the Gangetic valley in northern India. According to Bhagwan Lal, Kharavela set out a journey over Bharatvarsha, and took concerted measures when he came to know that several kings were coming to oppose him. Another interpretation states that following the three-fold policy of chastisement, alliance and conciliation, Kharavela sent out an expedition to conquer Bharatvarsha. He conquered the land, and obtained wealth from the kings he attacked. Sailendra Nath Sen states that he did not achieve any distinct success in this expedition.
Year 11
The record is lost, but can be made out with partial records for Year 10 and 12. According to Bhagwan Lal, Kharavela appears to have removed a toll levied by former kings on the Gardabha city. There is a mention of something renewed after 1300 years.
According to another interpretation, Kharavela "ploughed down" the Pithuda city, founded by the Ava king. He also broke up the confederacy of the "T[r]amira" countries of 1300 years, which had been a source of danger to his country. According to Sailendra Nath Sen, Pithuda was near present-day Machilipatnam. Sen, Alain Daniélou and some other scholars interpret "Tramira" as "Dramira" (i.e. "Dravidian"). They believe that this is a reference to Kharavela subduing the Pandya king. K.P. Jayaswal and R. D. Banerji state that Kharavela broke up a confederacy of Tamil kingdoms, which was becoming a threat to Kalinga.
Year 12
Parts of this record are lost. The record mentions that Kharavela harassed the kings of Uttarpatha (the North), probably by sending an expedition against them. It also mentions that he made Bahasatimita, the king of Magadha, bow at his feet. K.P. Jayaswal identified Bahasmita with Pushyamitra Shunga, stating that Bahasati refers to Bṛhaspati (Jupiter), who is the lord ofPushya nakshatra in Hindu astrology. However, Hem Chandra Raychaudhuri discredits this theory, pointing out thatDivyavadana mentions a king named Bṛhaspati, distinct from Pushyamitra. Sudhakar Chattopadhyaya believes that Bahasatimita was possibly a king of Kaushambi, and his rule might have extended over Magadha as well.
The record also mentions elephants. According to Bhagwan Lal, Kharavela as "watered his elephants in the Ganges", which means he reached as far as the Ganges. According to another interpretation, Kharavela caused panic among the people of Magadha by driving his elephants into the Sugamgiya (Palace).
Kharavela brought back an idol of Agrajina (possibly Rishabha), which had been taken by Nandraja in the past. He also brought home the wealth of Anga and Magadha.
Next, the record mentions that Kharavela built some structures. According to Bhagwan Lal, he built lofty structures, "by sitting on the summits of which the Vidyadharas could reach the sky". Next, there is the mention of an elephant gift made by Kharavela—a gift that had not been made by anyone before. There is also a mention of the people of some province subdued by him.
According to K.P. Jayaswal and R. D. Banerji, he built also a settlement of hundred masons, and exempted it from land revenue. He also built an enclosure of stockade for driving in elephants and horses and wealth brought in from the Pandya king.
Year 13
Parts of this record are lost. Kharavela is mentioned as Bhikshuraja (the king of monks), a worshipper of all sects, the possessor of an invincible army and an illustrious king in general. According to Bhagwan Lal, the record mentions that he did some work near the outer seat close to the Arhat temple on the Kumari Hill. He organized an assembly of scholars and ascetics, and commissioned the construction of something (probably a cave) by skillful workmen. He also commissioned erection of pillars in Vaiduryagarbha in Patalaka and Chetaka (probably names of caves). This work was executed in 165th year, after 164 years of Maurya rule had passed. Two ancestors of Kharavela are mentioned: Khemraja and Vriddharaja.
According to another source, he made offerings to monks on the Kumari Hill, where "the Wheel of Conquest had been well-revolved" (i.e. his faith, possibly Jainism, had been preached). He organized a council of wise ascetics and sages from all places. He constructed a shelter for the Queen Sindhula of Sinhapatha (or Simhapatha) with stones brought from far away, quarried from excellent mines. At the cost of 2,500,000 he commissioned the compilation of the text of the seven-fold Angas of the sixty-four (letters). The record also mentions that he is a descendant of the royal sage Vasu.
According to K.P. Jayaswal and R. D. Banerji, in this record, Kharavela claims descent from the family of royal sage Vasu.

Later years

Kharavela's empire is believed to have disintegrated soon after his death. Only two of his successors - Vakradeva (akaKudepasiri or Vakadepa) and Vadukha - have left inscriptions. According to Bhagwan Lal, Vakradeva was probably Kharavela's son and successor. Vakradeva's inscription is found in Udayagiri, and he has same epithets as Kharavela: Kalingadhipati (Lord of Kalinga) and Mahameghavahana (having an elephant as his carrier). Further, Vaduka seems to be a son of Vakradeva.
The Hathigumpha inscription starts with a version of the auspicious Jain Namokar Mantra: नमो अरहंतानं [॥] णमो सवसिधानं [॥] for in Jainism.
The Hathigumpha Inscription mentions that:
  • In the very first year of his coronation (His Majesty) caused to be repaired the gate, rampart and structures of the fort of Kalinga Nagari, which had been damaged by storm, and caused to be built flight of steps for the cool tanks and laid all gardens at the cost of thirty five hundred thousand (coins) and thus pleased all his subjects.
  • In the second year, without caring for Satakarni (His Majesty) sent to the west a large army consisting of horse, elephant, infantry and chariot, and struck terror to Asikanagara with that troop that marched up to the river Kanhavemna.
  • Then in the fourth year, (His Majesty) .... the Vidhadhara tract, that had been established by the former kings of Kalinga and had never been crossed before. The Rathika and Bhojaka chiefs with their crown cast off, their umbrella and royal insignia thrown aside, and their Jewelry and wealth confiscated, were, made to pay obeisance at the feet (of His Majesty).
  • And in the fifth year, (His Majesty) caused the aqueducts that had been excavated by king Nanda three hundred years before, to flow into [Kalinga] Nagri through Tanasuli.
  • And in the seventh year of his reign (the Queen) of Vajiraghara, blessed with a son attained motherhood.
  • In the 8th year of his reign, he attacked Rajagriha in Magadha and forced a Yavana king to retreat to Mathura. The name of the Yavana king is not clear, but it contains three letters, and the middle letter can be read as ma or miR. D. Banerji and K.P. Jayaswal read the name of the Yavana king as "Dimita", and identify him with Demetrius I of Bactria. However, according to Ramaprasad Chanda, this identification results in "chronological impossibilities". According to Sailendra Nath Sen, the Yavana ruler was certainly not Demerius; he might have been a later Indo-Greek ruler of eastern Punjab. Numismatist P.L. Gupta interprets the name as "Vimaka", and identifies him with Vima Kadphises. However, Vima Kadphises was a Kushana, not Yavana, king. It is otherwise unknown for a Kushan emperor to have been referred to as a Yavana, and for Vima Kadphises to be referred to as "Vimaka". Also, there are palaeographic problems with dating the Hathigumpha inscription to Vima Kadphises' period.
  • In the 12th year of his reign, he attacked the king of Uttarapatha. Then brought back the holy idols of Kalinga's Jain Gods (The Blessed Tirthankars) which earlier Magadha rulers had carried away with them after Kalinga War in Past. Tirthankar’s idol was brought back with its crown and endowment and the jewels plundered by king Nanda from the Kalinga royal palace, along with the treasures of Anga and Magadha were regained.
  • He then attacks the kingdom of Magadha, and in Pataliputra, the capital of the Shunga Empire, makes king "Bahasatimita" (thought to be the Shunga King Brhaspatimitra, or Pushyamitra himself) bow at his feet.

Wednesday, 14 September 2016

BUDDHANATH TEMPLE

BUDDHANATH 


In Garedi Panchan village  a beautiful temple is there called BUDDHANATH. It is located near about 10kms from Uttara square on the Uttara-Balipatna route and approx. 22 km. from Bhubaneswar.

Odisha tourism Signage Board

 This temple was built by King Chod Ganga Dev of Ganga dynasty. Although this temple is said to be a shiva temple but the name itself is a mystery and more research will tell us why the name is BUDDHANATH. The presiding deity inside Budhanath is not a Shiva Linga, but a yoni, or female origin of the ‘Shakti’. The absence of the linga in the centre of the temple is also a mystery,

 It is a two chambered temple with Rekha Deula and a Pidha Jagamohan. It has a Saptaratha Plan.


                                 It is said that this temple is based on some Tantric Principles.


                                              The original height of the Shikhara was 70 feet.


Pata Jali Window and Sarpkanyas 





Elephant Carvings on the temple which we find in almost all the temples having the Great Kalingan Architecture. Elephants played an unique role at that time mainly for the movement of such big and huge stones.





                                  Images on the walls are as beautiful as any other temples.

                                                             Images on the walls


                                                                Parshvadevta

                                                                       Parshvadevta
                                                                     




 Outer wall of Amrutalochani Devi temple.

                                              Deity at the wall of Amrutalochani Devi temple

                                          Deity at the wall of Amrutalochani Devi temple










                                                              Image in the wall

                                                Maybe, its a picture of a chinese traveller.



Buddhanath temple is really a masterpiece of our Kalingan Era. 








Saturday, 10 September 2016

The Four Gates Of Jagannatha temple

The four gates of Lord Jagannath Temple
The outer wall of Lord Jagannath Temple has gates openings for the devotees in the four direction. These four gates are represented by the four animals. In the east there is lion and hence called lion’s gate or sinhadwar. In the west there is tiger hence tiger’s gate or Vyaghradwar. In the north, there is elephant and hence called as elephant’s gate or Hastidwar. In the south, there is horse and hence horse’s gate or ashvadwar.

Eastern Gate/Lion's Gate/Simha Dwara








The two lions statues are there in this gate in the crouching position. The lion is a symbolic representation of MOKSHYA. Hence is is popularly said that if you enter in the temple through this gate, you will get mokshya. The deities present in simhadwar are Kasi Biswanath, Goudia Nrusimha and Bhagya Hanumaan.

Southern Gate/Horse Gate/Aswa Dwara



The horses symbolically represent the KAMA or lust. There are two galloping horses with Jagannath and Balabhadra on their back in the martial glory. The images of  Lokanath, Isanesvara, Parsunath, Dhabalesvara, Laxmi-Nrusimha amd Tapasvi Hanumaan are present here.
You have to sacrifice the feeling of lust while entering through this gate.

Western Gate/Tiger Gate/Vyaghra Dwara



Tiger is the symbol of DHARMA. The Dharma is an important philosophy in the Hindu Religion. In each and every moment to have to adhere with your Dharma.The deities present here are Ramesvara, Nisa Nrusimha and Birabikram Hanumaan.





Northern Gate/Elephant Gate/Hasti Dwara



The Hastidwara or the Elephant Gate had on each side a colossal figure of elephant, which is said to have been disfigured during the Muslim inroads. Subsequently, these figures were repaired and plastered with mortar and placed at the northern gate of the inner enclosure (Kurma Bedha). The images of  Lokanath, Isanesvara, Parsunath, Dhabalesvara, Laxmi-Nrusimha amd Tapasvi Hanumaan are present here.

These are the four ways by which one can reach The Lord of Universe. The doors are names after the animals because of their symbolic representation at the door.